NADINE BOLJKOVAC

Nadine Boljkovac (PhD, Cambridge / MA, York Canada / Honours BA, Toronto) is Senior Lecturer in Film at Falmouth University. She was a University of New South Wales 2015-17 Postdoctoral Fellow (Centre for Modernism Studies in Australia), the Brown University 2012-13 Carol G. Lederer Postdoctoral Fellow (Pembroke Center for Teaching & Researchon Women), a University of Edinburgh 2010 Postdoctoral Fellow (Institute for AdvancedStudies in the Humanities), and University of Aberdeen 2009-10 Film Teaching Fellow. Her monograph examining affect and ethics via Chris Marker and Alain Resnais, UNTIMELY AFFECTS: Gilles Deleuze and an Ethics of Cinema (Edinburgh University Press 2013), was reissued in paperback in 2015. A monograph in progress, BEYOND HERSELF: Feminist (Auto)Portraiture and the Moving Image, assesses women’s experiences of reinvention. Projects include: Against Nature: The Cinema of Werner Herzog with Hanjo Berressem; Deleuze and Affect with Charlie Blake; a special dossier of Screening the Past: A Peer-Reviewed Journal of Screen History, Theory & Criticism (‘Materialising Absence in Film and Media’ forthcoming 2017 with co-editor Saige Walton). Peer-reviewed pieces appear in a Film Theory Handbook, edited by Tom Conley and Hunter Vaughan (forthcoming); Understanding Deleuze, Understanding Modernism; Deleuze Studies (‘Schizoanalysis and Visual Culture’ Special Issue); Open Letter: A Canadian Journal of Writing and Theory (‘Remembering Barbara Godard’ Festschrift); Anamnesia: Private and Public Memory in Modern French Culture; Gilles Deleuze: Image and Text.